Monday, March 13, 2006

UNDERNEWS: RECOVERED HISTORY: How the CIA fouled our literature

UNDERNEWS: RECOVERED HISTORY: How the CIA fouled our literature

RECOVERED HISTORY: How the CIA fouled our literature

LAURENCE ZUCKERMAN, NY TIMES, 2000 - Many people remember reading George Orwell's "Animal Farm" in high school or college, with its chilling finale in which the farm animals looked back and forth at the tyrannical pigs and the exploitative human farmers but found it "impossible to say which was which."
That ending was altered in the 1955 animated version, which removed the humans, leaving only the nasty pigs. Another example of Hollywood butchering great literature? Yes, but in this case the film's secret producer was the Central Intelligence Agency.

The C.I.A., it seems, was worried that the public might be too influenced by Orwell's pox-on-both-their-houses critique of the capitalist humans and Communist pigs. So after his death in 1950, agents were dispatched (by none other than E. Howard Hunt, later of Watergate fame) to buy the film rights to "Animal Farm" from his widow to make its message more overtly anti-Communist.

Rewriting the end of "Animal Farm" is just one example of the often absurd lengths to which the C.I.A. went, as recounted in a new book, "The Cultural Cold War: The C.I.A. and the World of Arts and Letters" (The New Press) by Frances Stonor Saunders, a British journalist. . .

As it turns out, "Animal Farm" was not the only instance of the C.I.A.'s dabbling in Hollywood. Ms. Stonor Saunders reports that one operative who was a producer and talent agent slipped affluent-looking African-Americans into several films as extras to try to counter Soviet criticism of the American race problem.

The agency also changed the ending of the movie version of "1984," disregarding Orwell's specific instructions that the story not be altered. In the book, the protagonist, Winston Smith, is entirely defeated by the nightmarish totalitarian regime. In the very last line, Orwell writes of Winston, "He loved Big Brother." In the movie, Winston and his lover, Julia, are gunned down after Winston defiantly shouts: "Down with Big Brother!" . . .

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